我用夏天比拟你
- 主演：Ahmed Awadalla Nadim Bahsoun Hassan Dib Ahmed El Gendy Richard Gabriel Gersch Donia Massoud Selim Mourad Salim Mrad
- 状态：HD
- 导演：穆罕默德·肖基·哈桑
- 类型：电影
-
简介：
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
《我用夏天比拟你》详细介绍
分类：电影
状态：HD
上映时间：2022
视频更新时间：2023-12-07 23:30
国家/地区：其它
影片语言：其它
评分：0.0分
影片导演：穆罕默德·肖基·哈桑
影片演员：Ahmed Awadalla Nadim Bahsoun Hassan Dib Ahmed El Gendy Richard Gabriel Gersch Donia Massoud Selim Mourad Salim Mrad
资源类别：高清无删减
剧情介绍：穆罕默德·肖基·哈桑 导演执导的《我用夏天比拟你》，该影片在2022其它发行，上映至今获得了较好的口碑， HD，由Ahmed Awadalla Nadim Bahsoun Hassan Dib Ahmed El Gendy Richard Gabriel Gersch Donia Massoud Selim Mourad Salim Mrad 等主演的一部不错的其它的电影。
A glance leads to a smile, a smile to a rendezvous: every love story begins the same way. These narratives are stored in songs and poems and live on beyond their inevitable endings, as Shakespeare’s titular sonnet 18 also suggests. In Mohammad Shawky Hassan’s metafictional essay, a female narrator who wishes to tell the story of a love between two men encounters a polyamorous chorus of lovers, and this oft-told tale is multiplied. In Club Scheherazade, there is no protagonist, and every song has various versions. Heteronormative dramaturgy is challenged polyphonically and across a range of media: lovers ask each other about threesomes, Grindr contacts and past dates. Pop clichés are twisted, heartache permeates the men’s singing, and poems by Wadih Saadeh are read out while a lover’s dirty laundry is aired. The narrator mischievously tries for a happy ending as her characters exit the story. “If pain could be forgotten through words,” we hear at one point, “no lover would ever have to walk away wounded.”
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